Kanopy (Firm)

Winner of Critic's Prize at the Berlin Film Festival 2012, Tabu is the exquisitely surreal two-part tale of Aurora, who upon her death-bed will make a mysterious request to see a man no one had ever heard of, transporting us to the foothills of 1960s Africa in order to tell a story that occurred fifty years ago - the story of an irrational taboo and its extravagant consequences. Shot in lush black and white 16mm and 35mm.

Like every morning, Madalena makes bread for Antonio's old coffee shop. Like every day, she crosses the railways where no trains have passed for years; she cleans up the gate of the locked cemetery, and listens to the priest's sermon before sharing lunch with the other old villagers. Clinging to the image of her dead husband and living in her memories, Madalena is awakened by the arrival of Rita, a young photographer who is arriving in the ghost village...

Four characters struggle with the disillusionment of the revolutionary generation in post-independence Guinea-Bissau. In Udju Azul di Yonta, the most compelling character is Vicente, a disenchanted hero of the independence struggle who has only grudgingly adapted himself to post-revolutionary society. He is a figure with whom many disappointed Western '60s activists will identify. As "Comrade Boss" of a fish warehouse, he continues to work for the...

A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps. " Based on his own memories and on a sturdy body of research evidence, the director analyzes race relations in Brazilian soap operas, calling attention to their likely influence on Black people's identity-forming processes.

The residents of Rio de Janeiro's largest slum seek justice for a local man they believe has been murdered by the police. In the face of brutal oppression, together they start a protest movement that will change the course of Brazilian history. This project is heavily accoladed, winning best film at the Sydney Film Festival, a Director’s Guild Award and two Australian Academy Awards. Originally released in 2016, the film has fresh interest right...

Who is Jair Bolsonaro and how he became the president of the sixth most populous country in the world? "OUR FLAG WILL NEVER BE RED" answers this question by examining the influence of the Brazilian media in the socio-political events that took place from 2013 to 2019. Brazil has "6 berlusconis" that together control 90% of the national audience in all types of media. According to the interviewed, the Berlusconis were responsible for one of the greatest...

BUILDING BRIDGES is a film that pursues a possible relationship between Heloisa, the filmmaker, and her father, an engineer who had his moment of glory during the Brazilian military dictatorship. Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Heloisa and Alvaro as they position themselves on opposite sides of the troubling political situation of Brazil.

The utopian city of Brasilia is in transition more than half a century later. What is it like to live in someone else’s idea? A meditation on living in one of the most planned cities on earth. Brasília is unlike any other: a concrete utopia designed by architect Oscar Niemeyer and urbanist Lúcio Costa that spawned out of the desert. Featuring a haunting, intimate score and images that take us deep into the city, this documentary brings a human...

The 2018 elections turned into the biggest political uprising led by Black women in Brazil's history, in response to the brutal execution of Marielle Franco.

While the #MeToo Movement united sexual harassment victims throughout the world, this crucial documentary explicitly illustrates how the participation of women in open urban spaces is marked by insecurity. The film explores the public space as a place of violence—especially sexual harassment—and analyzes how campaigns promoted by activists and feminists have changed power relationships between men and women in the streets of Brazil.