Pasolini.
(eVideo)
Contributors
Ferrara, Abel, film director.
Davoli, Ninetto, actor.
Scamarcio, Riccardo, actor.
Zibetti, Roberto, actor.
Mastandrea, Valerio, actor.
Davoli, Ninetto, actor.
Scamarcio, Riccardo, actor.
Zibetti, Roberto, actor.
Mastandrea, Valerio, actor.
Published
[San Francisco, California, USA] : Kino Lorber, 2014., Kanopy Streaming, 2019.
Status
Description
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Format
eVideo
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Ninetto Davoli, Riccardo Scamarcio, Roberto Zibetti, Valerio Mastandrea, Willem Defoe
Date/Time and Place of Event
Originally produced by Kino Lorber in 2014.
Description
The Roman life and the imaginary worlds of Pier Paolo Pasolini intermingle in Abel Ferrara’s retelling of the final days in the life of the fifty-year-old filmmaker and writer, in a lovely, haunting film that draws on his last interview and envisages scenes from an unmade final film and his incomplete novel, Petrolio. Willem Dafoe, regally exhausted, is the spitting image of the murdered director, and Pasolini’s beloved muse Ninetto Davoli returns to “finish” his friend’s work, but Ferrara wisely never attempts to merely ape Pasolini’s style, instead offering one iconoclastic artist’s tribute to another, a biopic that busts the boundaries of the form and a passion project decades in the imagining that gives Pasolini’s final moments on the beach at Ostia the terrible sanctity of the Passion. Nominated for a Golden Lion at the **Venice Film Festival**. Official Selection at the **Toronto International Film Festival**. "*One of the most intuitive and mysterious movie biographies made in a while.*" - Matt Zoller Seitz, ***RogerEbert.com***
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Ferrara, A., Davoli, N., Scamarcio, R., Zibetti, R., Mastandrea, V., & Defoe, W. (2014). Pasolini . Kino Lorber.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Abel, Ferrara et al.. 2014. Pasolini. Kino Lorber.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Abel, Ferrara et al.. Pasolini Kino Lorber, 2014.
MLA Citation, 9th Edition (style guide)Ferrara, Abel,, et al. Pasolini Kino Lorber, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
62429c54-e0a6-a663-adce-979c7637bb3f-eng
Grouping Information
Grouped Work ID | 62429c54-e0a6-a663-adce-979c7637bb3f-eng |
---|---|
Full title | pasolini |
Author | kino lorber |
Grouping Category | movie |
Last Update | 2024-04-23 16:32:22PM |
Last Indexed | 2024-04-23 16:32:56PM |
Book Cover Information
Image Source | syndetics |
---|---|
First Loaded | Feb 8, 2024 |
Last Used | Mar 28, 2024 |
Marc Record
First Detected | Oct 10, 2019 12:00:00 AM |
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Last File Modification Time | Mar 15, 2024 11:01:11 AM |
MARC Record
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520 | |a The Roman life and the imaginary worlds of Pier Paolo Pasolini intermingle in Abel Ferrara’s retelling of the final days in the life of the fifty-year-old filmmaker and writer, in a lovely, haunting film that draws on his last interview and envisages scenes from an unmade final film and his incomplete novel, Petrolio. Willem Dafoe, regally exhausted, is the spitting image of the murdered director, and Pasolini’s beloved muse Ninetto Davoli returns to “finish” his friend’s work, but Ferrara wisely never attempts to merely ape Pasolini’s style, instead offering one iconoclastic artist’s tribute to another, a biopic that busts the boundaries of the form and a passion project decades in the imagining that gives Pasolini’s final moments on the beach at Ostia the terrible sanctity of the Passion. Nominated for a Golden Lion at the **Venice Film Festival**. Official Selection at the **Toronto International Film Festival**. "*One of the most intuitive and mysterious movie biographies made in a while.*" - Matt Zoller Seitz, ***RogerEbert.com*** | ||
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