Léa Seydoux brilliantly holds the center of Bruno Dumont’s unexpected, unsettling new film, which starts out as a satire of the contemporary news media before steadily spiraling out into something richer and darker. Never one to shy away from provoking his viewers, Dumont (The Life of Jesus, NYFF35) casts Seydoux as France de Meurs, a seemingly unflappable superstar TV journalist whose career, homelife, and psychological stability are shaken after...

With his wife in labor, father-to-be Thomas speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone's lives forever, including the young man's mother, Marie-France, who cannot recover from the trauma. Nine years later, Marie-France takes a job, as Thomas's assistant, without him knowing about her connection to his past.

Marc is an equestrian stuntman. After being traumatically injured in a serious accident, he loses all hope of ever getting back on a horse. Florence works for an insurance company and is in charge of Marc's case. Although they have nothing in common, their brief interaction will impact them in more ways than they can imagine.

A legendary hitman retires in isolation to the barren North American wilderness. When he rescues a woman from a snowmobile accident, he discovers she may be harboring a secret that could force a return to his lethal ways.

Jour de fête: In this enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. Monsieur Hulot's holiday: Monsieur Hulot takes a holiday, at a seaside resort, where his presence provokes one catastrophe after another. Mon oncle: A supremely amusing satire of mechanized living and consumer society. Playtime: A nearly wordless comedy about confusion in an age of...