"Ren came to Nadežra with a plan. She would pose as the long-lost daughter of the noble house Traementis. She would secure a fortune for herself and her sister. And she would vanish without a backward glance. She ought to have known that in the city of dreams, nothing is ever so simple. Now, she is Ren, con-artist and thief. But she is also Renata, the celebrated Traementis heir. She is Arenza, the mysterious pattern-reader and political rebel. And...

“The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Her decades-long berth at The New Yorker energized her fans (“Paulettes”) and infuriated her detractors on a weekly basis. Her turbo-charged prose famously championed the New Hollywood Cinema of the late 1960s...

"In rural Iceland, Maria and her husband make an alarming discovery one day in their sheep barn. They soon face the consequences of defying the will of nature in this dark and atmospheric folktale, the striking debut feature from director Valdimar Jóhannsson."--Container.