Filmed just after the March ceasefire between France and Algeria, LE JOLI MAI documents the hopes, beliefs and uncertainties of Parisians in the early 1960s. Interviews with workers, students, houswives and lovers combine to create a panoramic portrait of social and political life in Paris.

A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested...

Every day, in a consultation room, the patients land; broken, sick and marked by life. In front of them, sits an invested person who tries, without false hope, to repair the bodies and the psyches. In this cramped room where the world and a suffering humanity parade, each one of them confides in a disarming authenticity. At night, when the doors of the resources are closed, street workers storm the city to extend their support to all those unfortunate...

As anger and resentment grow in the face of social inequalities, many citizen-led protests are being repressed with an ever-increasing violence. In THE MONOPOLY OF VIOLENCE, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

Based on Bégaudeau's autobiographical novel. François and his fellow teachers prepare for a new year at a high school in a tough Paris neighborhood. Armed with the best intentions, they brace themselves to not let discouragement stop them from trying to give the best education to their students. Cultures and attitudes often clash in the classroom, a microcosm of contemporary France. As amusing and inspiring as the teenaged students can be, their...